The
daffodils are in full bloom along the stonewall abutting our summer place,
sunny yellow beacons of the approaching season. Yet it’s hard to imagine summertime
in Tiverton as cold March winds blow.
One of the
greatest American poets, New Englander Emily Dickinson wrote: “Dear March, come
in! / How glad I am! / I looked for you before. / Put down your hat – / You must
have walked – / How out of breath you are! / Dear March, how are you?”
Educated at
Amherst Institute and Mount Holyoke Female Seminary, Dickinson was a voracious
reader, who spent most of her life in her room. I envision “The Belle of
Amherst” with her face pressed against the window, chronicling the seasons as
an observer removed from wind, sun and spring rains.
To be a woman
and a poet in the mid-1800s placed her outside the bounds of
society norms. She sent four of her poems to a literary critic, Thomas
Wentworth Higginson, who advised her against publishing. During her lifetime only
seven of her edited poems were printed without attribution.
By her 40s,
the shy Victorian poet refused to leave the house. She died at age 56 in 1886.
Looking
through her possessions, her sister Lavinia found hundreds of hidden poems sewn
together, scribbled on shopping lists, envelopes and candy wrappers.
Later,
Higginson would call her gift “a wholly new and original poetic genius,”
according to “Benet’s Readers Encyclopedia.” He heavily edited a book containing
a fraction of her poems in 1890.
The first
complete edition of Dickinson’s 1,775 poems was published in 1960.
“I’m nobody.
Who are you?” she wrote.
In defiance,
I wander the beach battered by the spray of wind-tossed waves, propelled by icy
blasts.
Free to
roam, I think about the daughter of the orthodox Calvinist, predestined to sit
in her room day after day, baring her soul on scraps of paper filled with such
words of passion.
“The sky is
low, the clouds are mean, / A travelling flake of snow / Across a barn or
through a rut / Debates if it will go. / A narrow wind complains all day / How
some one treated him; / Nature, like us, is sometimes caught / Without her
diadem.”