Home is this New England village, bordering the Sakonnet. |
One of my
favorite novelists is D.E. Stevenson, who wrote about Britain during World War
II and its aftermath. Thirty-three of her books line the shelves of my home
office.
Stevenson
described the sleepy English and Scottish villages in great detail and gave each
of the houses a special name. Consequently, the reader could imagine the
structure, the lay of the land, the historic as well as natural setting of the
place.
Some of her picturesque
names are Well Cottage, House on the Cliff, Archway House, Mountain Cross, Square
House, Underwoods, Bridle House, Broadmeadows, Hillside House, Summerhills,
Dower House, King’s Lodge, Swan House, Amberwell and Bridge House.
Inside, these
homes are furnished with pieces handed down through the generations, and each has a story to tell.
According to
Stevenson, “Fletcher’s End is the name of a beautiful old house in the English
Cotswold Country; it was built in the days of Queen Elizabeth and the oak beams
which support the heavy stone roof are of the same wood as the ships which
fought the Spanish Armada.”
Some
American houses are referred to by name, and the “summer cottages” of the rich
in nearby Newport come to mind: The Breakers, Chateau-sur-Mer, The Elms, Marble
House and Rosecliff.
One of my
favorite nonfiction American writers, Gladys Taber, called her seventeenth-century
Connecticut farmhouse, Stillmeadow, and her Cape Cod cottage, Still Cove.
Fifteen of her books grace my shelves.
“The ancient
house speaks to us,” she wrote in “The Book of Stillmeadow” in 1948. “Footfalls
sound on the steep stairs, doors open softly, floorboards creak, echoing lives
lived here long, long ago. And I think echoes of the lives of our family will
be here, too.”
Our summer
house near Fogland Beach lacks a name (Fog House?) but engenders all the
qualities of Stevenson’s fictional homes. Furnished with the old rock maple
couch, armchair and rocker that my parents bought when they married in 1950, it
is decorated with my grandmother’s lamps and my grandfather’s cherry wood end
table.
Sometimes if
I listen intently, I can still hear him gently tapping his pipe on the table,
emptying the tobacco into the ashtray.
“Your mother
wouldn’t like it if we sold the furniture she gave us,” said Bel Brownlee in
“Fletcher’s End” by D.E. Stevenson. “It would hurt her feelings to think we
didn’t appreciate her kindness. People’s feelings are more important than …
tables.”